- #701
Hornbein
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Kate Bush -- Under Ice cover by symphony orchestra.pinball1970 said:Kate Bush saved me from musical despair in the 1980s an unparalleled genius.
Kate Bush -- Under Ice cover by symphony orchestra.pinball1970 said:Kate Bush saved me from musical despair in the 1980s an unparalleled genius.
I'm not a musician at all. When I tried to play music, I was trying to reproduce what I saw; where should I put my fingers, that sort of thing. It's nearly impossible for me to reproduce a sound by ear. Musicians tend to say "Don't you hear the note?" and I just don't, not like them anyway. Visual cues make me appreciate the music on another level.PeroK said:I always felt the 1980s were mostly style over substance and I never really understood the point of the music video. If the music is good enough, what is the need for a video? The best videos, for me, are just the band playing the music. I saw an interview with Keith Richards where he said something like this - that the eyes eventually dominate the ears.
They don't realize that he's not screaming, but actually singing -- usually hitting the high notes perfectly. A couple of the reaction videos are by vocal coaches and they're invariably wide-eyed, open-mouthed as soon as they see what Ian Gillan could do.PeroK said:I remember overhearing my mum talking to my aunt about the music that my brother and I were listening to. Her verdict on Child in Time was "and there's one where this fool just stands there and screams"! My aunt's response that she "wouldn't allow it"!
Man, I could post all day on Gillan.strangerep said:They don't realize that he's not screaming, but actually singing -- usually hitting the high notes perfectly. A couple of the reaction videos are by vocal coaches and they're invariably wide-eyed, open-mouthed as soon as they see what Ian Gillan could do.
They both had wide vibrato too, Gillan is oscillating on that Child in time A5 between A and C according to one YT analysis.strangerep said:They don't realize that he's not screaming, but actually singing -- usually hitting the high notes perfectly. A couple of the reaction videos are by vocal coaches and they're invariably wide-eyed, open-mouthed as soon as they see what Ian Gillan could do.
PeroK said:Since I listened to a few covers, YouTube has been serving me up a steady diet. It seems I could spend the rest of my life listening to covers of King Crimson tracks alone. The number of covers of Starless is extraordinary. One group of what looked like college kids had even roped in the late John Wetton to sing the lyrics. There is everything from full-on prog-rock versions (although perhaps Starless is so prog it's not rock anymore), a zany avant garde version, a folk version played in the woods and a solo acoustic guitar version played in a cathedral.
It's extraordinary that young people are playing this music. How do they even know about this material? By the early 1990's I was ridiculed for still listening to 1970's prog rock. Perhaps it's ultimately the quality and originality of the music that has helped it survive. It shows that that with music perhaps you can't tell what will endure the test of time. I must admit I feel somewhat vindicated.
I always felt the 1980s were mostly style over substance and I never really understood the point of the music video. If the music is good enough, what is the need for a video? The best videos, for me, are just the band playing the music. I saw an interview with Keith Richards where he said something like this - that the eyes eventually dominate the ears.
Anyway, here's the latest cover of Starless. @pinball1970 I particularly like the percussion on this one (and the two guitars):
difalcojr said:Do we all have gaps?! I'm hearing things I never heard back when, lots of them! Here's a couple early Stones songs, one at least I am sure you will know. One from the Between the Buttons album. Like how it speeds up.
The Aftermath album has lots of early hits too
One from album High Tide and Green Grass, an early greatest hits album. Lot of covers of this.
Hornbein said:요요미 - One night in Bangkok (Murray Head) Cover by YOYOMI
She sings beautifully. Is she singing this to her contemporaries? Young Japanese men? Her eyes and facial expressions at the end suggest this, possibly?Hornbein said:요요미 - One night in Bangkok (Murray Head) Cover by YOYOMI
Singing to men in general. She's from South Korea and is also popular in Russia.difalcojr said:She sings beautifully. Is she singing this to her contemporaries? Young Japanese men? Her eyes and facial expressions at the end suggest this, possibly?
A clip of Stompy Jones cover of The Train Kept-A-Rollin at Carnation Plaza from around 2015. Disneyland had big | swing bands on Saturday nights for over 60 years (that stopped with Covid). You'll probably need to turn up the brightness.Hornbein said:1956 Johnny Burnette Trio - The Train Kept A-Rollin’
Grows out of their heads, or gets added in some way.fresh_42 said:I always wonder where they got all the hair from for that hairstyle from the fifties and the sixties.
The bee hive is added. The Ronettes ethnicity: African American, Cherokee, Irish American, and Puerto RicanBillTre said:Grows out of their heads, or gets added in some way.
Wigs! EDIT: Really big onesfresh_42 said:I always wonder where they got all the hair from for that hairstyle from the fifties and the sixties.
robphy said: