Bill Moyers interviews David Simon of The Wire

In summary, the conversation discusses the HBO show The Wire and its portrayal of the ghettos in America. The speakers also share their personal experiences living in cities with large ghettos and the impact it has on their perception of the city. One of the speakers also mentions an interview with the show's creator, David Simon, and his thoughts on the decline of investigative journalism and the war on drugs. They also discuss their favorite characters from the show and have a debate about Simon's qualifications to comment on societal issues.
  • #1
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I'm sure many of you have seen the HBO show The Wire. Personally I have just started the first season. My sister sent me this these youtube clips and I found them fascinating. One point I thought a lot about was something to the effect that America is content to leave the ghettos as they are, given blacks only kill blacks and they stay in the ghetto. Also the point that these ghettos are lost zones. They are not productive or needed in America so people are willing to forget them. I've lived in downtown milwaukee for nearly 8 years now and it has a pretty sizable ghetto. In fact I'd call it half the city. The other half is primarily upper class white folk and is really fantastic. But the thing that dawned on me is that I've lived here 8 years and actually haven't seen half the city. I sometimes drive through it, but mostly it's a dead zone. A lost world. One in which I am maybe 10 blocks away from and yet never see.

https://www.youtube.com/watch?v=qulcqNMHVic

https://www.youtube.com/watch?v=JeNc5y7lpYA
 
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  • #2
Greg Bernhardt said:
I'm sure many of you have seen the HBO show The Wire. Personally I have just started the first season. My sister sent me this these youtube clips and I found them fascinating. One point I thought a lot about was something to the effect that America is content to leave the ghettos as they are, given blacks only kill blacks and they stay in the ghetto. Also the point that these ghettos are lost zones. They are not productive or needed in America so people are willing to forget them. I've lived in downtown milwaukee for nearly 8 years now and it has a pretty sizable ghetto. In fact I'd call it half the city. The other half is primarily upper class white folk and is really fantastic. But the thing that dawned on me is that I've lived here 8 years and actually haven't seen half the city. I sometimes drive through it, but mostly it's a dead zone. A lost world. One in which I am maybe 10 blocks away from and yet never see.

...

Great series, I watched all 5 seasons. Probably the best drama I've ever seen on TV. Omar was my favorite character. 'Do tell'

https://www.youtube.com/watch?v=oYj7q_by_2E
 
  • #3
A great interview with a number of quote-worthy comments. Perhaps most striking to me were his comments about police skills being lost through fast and easy drug busts. I had never considered that one before; that law enforcement has gone the way of McDonalds.

Hopefully he is overly pessimistic, but it can't be denied that the problems ranging from the futility and obscenity of the war on drugs, to the loss of inner-city jobs, to the death of credible investigative journalism, are foreboding. Of these, the death pangs of journalism are what concern me the most. A free and meaningful press is what makes solutions to the other problems possible.
 
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  • #4
Ivan Seeking said:
A great interview with a number of quote-worthy comments. Perhaps most striking to me were his comments about police skills being lost through fast and easy drug busts. I had never considered that one before; that law enforcement has gone the way of McDonalds.
I too thought there were quote-worthy comment, e.g., "We used to make stuff in this country", "Now we just have our hands in the other guys pocket."

Not much seems to have changed in 30 or 40 years since I used to wander the streets. Now it's the grandchildren of the generation of kids I used to see.
 
  • #5
As much as I like The Wire, I find Moyer's description of Simon as the second coming of Gibbons (Rise and Fall ...) ridiculous. What we know about Simon is that he's a talented story teller and film maker, with a background as a beat reporter. There are many beat reporters. I've known a few well. They don't have any special claim on profound revelations of societal truths. My own Simon cynicism started when he went on and on disparaging our 'fact' based society and statistics, especially when he took his finding that stats are sometimes falsified by authorities as grounds to throw all the data out the window.
 
  • #6
Favorite The Wire character nominations?
 
  • #7
mheslep said:
As much as I like The Wire, I find Moyer's description of Simon as the second coming of Gibbons (Rise and Fall ...) ridiculous. What we know about Simon is that he's a talented story teller and film maker, with a background as a beat reporter. There are many beat reporters. I've known a few well.

According to Simon, they are virtually extinct. It is undeniable that being a crime reporter for a major paper, in a major city, for twelve years, provides a birds-eye view of the street scene. Are you suggesting that someone who has no similar experience, say a college student, is just as qualified to comment on crime?

They don't have any special claim on profound revelations of societal truths. My own Simon cynicism started when he went on and on disparaging our 'fact' based society and statistics, especially when he took his finding that stats are sometimes falsified by authorities as grounds to throw all the data out the window.

When does he do that? He never said we should throw all data out the window. He said that statistics can be used to misrepresent the truth; primarily by playing games with definitions. That IS a fact-based statement.
 
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  • #8
Astronuc said:
I too thought there were quote-worthy comment, e.g., "We used to make stuff in this country", "Now we just have our hands in the other guys pocket."

I had to quote Moyers in the favorite quotes thread.

The only crime scene I've ever covered was the State legislature in Texas

Now that's funny!
 
  • #9
My father used to counseling in the trauma center at Ben Taub hospital in Houston. That's where the most critical cases from the city were sent. He worked with families of violent crimes, industrial accidents and automobile accidents. He dealt with famililes of criminals, their victims and sometimes police officers shot or killed in the line of duty.

He was present when some guy walked in, pulled a gun, and shot some other guy waiting on a stretcher. Back in the 70's, the trauma center received 2 or 3 gun shot victims per night. It seemed to go up on Friday and Saturday nights.
 
  • #10
mheslep said:
As much as I like The Wire, I find Moyer's description of Simon as the second coming of Gibbons (Rise and Fall ...) ... snip


Just a nit picky point here. Edward Gibbon's work was actually called the "The History of the DECLINE and Fall of the Roman Empire"

It starts after the death of Julius Caesar so really does not cover the Rise of the Empire. (Yes, I have read it.)

Futher you never really explained why the analogy with Gibbon was bad?
 
  • #11
I'm trying to find the right way to put the two youtube interview clips into an email to send to my friend.

qulcqNMHVic

JeNc5y7lpYA

Greg's post had these two codes framed by "[ youtube ]" brackets.

I never watched any "wire" episodes. David Simon gets my respect for his intelligence and blunt intellectual honesty. I also like Robert Reich.
Well, that was easy, you just prefix the codes with http://www.youtube.com/watch?v=
and say:



 
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  • #12
Integral said:
Just a nit picky point here. Edward Gibbon's work was actually called the "The History of the DECLINE and Fall of the Roman Empire"

It starts after the death of Julius Caesar so really does not cover the Rise of the Empire. (Yes, I have read it.)
Arg, sorry, I meant Gibbon's Decline and Fall, but in haste bungled the name with Shirer's 'Rise and Fall of the Third Reich'

Futher you never really explained why the analogy with Gibbon was bad?
Gibbon was a historian, a scholar. We can say this because his work contained factual detail and argument for which it could be critiqued by other historians and serious thinkers like David Hume. His Decline became a fundamental go-to history of Rome for a century, maybe two. He attempted to capture the themes of an entire civilization, backed up with six volumes of detail. From what little I know, it changed how history was written after its publication, raising the bar. Despite its flaws I suspect it will sit prominently on library shelves for a couple more centuries.

Simon is a talented film maker and story teller who may, or may not, have accurately portrayed some of the mechanisms and tragedies of US society. I very much enjoy this work. That doesn't yet place him in the English cannon.
 
  • #13
Ivan Seeking said:
When does he do that? He never said we should throw all data out the window. He said that statistics can be used to misrepresent the truth; primarily by playing games with definitions. That IS a fact-based statement.
Yes, but after watching the entire interview I had the impression he didn't stop there; he went further - something along the lines (IIRC) of 'any' institution, or 'any' authoritative body would have 'fifty people' assigned to trying to 'juke' the stats, as soon as there was something at stake.
 

Related to Bill Moyers interviews David Simon of The Wire

1. What is the significance of the title "The Wire" in relation to the show and its themes?

The title "The Wire" refers to the wiretap investigations conducted by law enforcement in the show, but it also symbolizes the interconnectedness and complexity of the problems faced by the characters in the show. The wire also represents the blurred lines between good and bad, as well as the corrupt systems and institutions that perpetuate poverty and crime.

2. How does David Simon's background as a journalist influence his approach to storytelling in "The Wire"?

As a journalist, David Simon has a deep understanding of the institutions and systems that he portrays in the show. He also values authenticity and accuracy in his storytelling, which is reflected in the research and attention to detail in the show. Simon's journalistic background also allows him to approach the show with a critical and analytical lens, often tackling complex social and political issues.

3. What makes "The Wire" stand out among other crime dramas?

"The Wire" stands out for its realistic portrayal of crime and its impact on individuals and communities. The show also goes beyond the typical "good versus bad" narrative and delves into the systemic issues and structures that contribute to crime and poverty. Additionally, the show features a diverse and complex cast of characters, allowing for a nuanced exploration of different perspectives and experiences.

4. How does "The Wire" address issues of race and class?

"The Wire" addresses issues of race and class in a nuanced and thought-provoking way. The show highlights the systemic inequalities and injustices faced by marginalized communities, particularly people of color, in the criminal justice system and society as a whole. It also challenges stereotypes and offers a more complex and humanizing portrayal of characters from different racial and socioeconomic backgrounds.

5. What impact did "The Wire" have on the television industry and society as a whole?

"The Wire" is widely considered to be one of the greatest television shows of all time and has had a significant impact on the industry. It paved the way for more diverse and socially conscious storytelling, and its influence can be seen in shows that have followed. The show also sparked important conversations about race, class, and social issues, bringing attention to the systemic problems faced by marginalized communities and inspiring viewers to think critically about these issues.

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