- #36
zoobyshoe
- 6,510
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Now, isn't that special.
Originally posted by zoobyshoe
Now, isn't that special.
Originally posted by sandinmyears
Two TV Show themes come to mind. I put in bold the parts I think are hard to understand.
The Flintstone Theme
Flintstones... Meet the Flintstones,
They're a modern stoneage family.
From the town of Bedrock,
They're a page right out of history.
Let's ride with the family down the street.
Thru the courtesy of Fred's two feet.
When you're with the Flintstones,
have a yabba dabba doo time,
a dabba doo time,
we'll have a gay old time.
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With the Flintstones thing, with the courtesy of Fred's two feet would be to do with the car. If you remember, the 'Flintstone-mobile' had holes in the bottom so that it could be driven by Fred running along! that's probably the reason for it even if the lyrics sound stupid
I never had an inkling to Pink Floyds Another Brick In The Wall:
You can't have any pudding if you don't eat your meat.
How can you have any pudding if you don't eat your meat?
I finally read it somewhere and now I can't imagine not being able to understand it.
So I would be interested in seeing how butchered up THOSE lyrics have gotten. Actually, they don't need to be butchered to sound DAMN FUNNY. They are hillarious on their own.
Originally posted by megashawn
Well, for me, I'm more interested in the musical aspect of songs then the lyrics. I tend to listen to the voice as another instrument in the band, where others give the majority of there attention to the singer.
Whats cool about a musical note, is there is no misunderstanding or open interpretations. It is what it is. I think some of the best songs ever made have not one spoken word.
You would think, but in actual practise there are a few famous singers who sing out of tune. You never can tell what note they meant to hit. Dylan, is probably the most famous example. My favorite is the great Brian Wilson, of the Beach Boys, who bent the pitches of his melodies slightly, not meaning to, but with beautiful effect. His song "The Girls On The Beach" is virtually atonal music, the way they performed it.Originally posted by megashawn
Whats cool about a musical note, is there is no misunderstanding or open interpretations. It is what it is.
Just a note on terminology: a song is a piece of music with singing in it. You wouldn't expect to find any spoken words in a song. Music without the component of a human voice isn't, technically, a song at all. In popular music the best term for this would be an "instrumental".I think some of the best songs ever made have not one spoken word.
Well, I always thought (and SOMEONE out there had better jump in and say that THEY always thought it said this, too! - I can't be the only one with a dirty mind!) that they were saying "I felt my bone in her hair". But, NO! The words are "I smell the rose in her hair".Originally posted by Beren
Those come all the way at the end. They're probably the easiest parts of the song to understand (since they're not really part of the song, just the random noices the bands likes to throw in)
And no one has said Louie Louie! The most famous "I have no idea what they're saying" song of all time. XD
You get the same effect from listening to any music sung in a foreign language you don't understand. A couple times I've been disapointed when I read a translation of what they were actually saying. I would think it takes a lot of discipline to write for the human voice without words.Originally posted by selfAdjoint
In classical music there is the "vocalise", a piece of music without words but sung with all the resources of the human voice, usually with orchestra accompaniment. Tastes differ but I consider the vocalise by Villa-Lobos to be very beautiful.