Depth of field phenomena -- distant objects visible through close objects

In summary, the depth of field or focal blur, almost makes the metal mesh somewhat trancelucent. because i can understand that some blurring makes the object broader than it is, and therefore makes the edges transparant. but this transluency is also in the center where the grid is.too really view the effect, download the photo and zoom in on the green circles
  • #1
aliasz
5
1
I observed a photograph taken with my telephone, and it has depth of field. foreground blurring
of an metal grid mesh. yet some objects in the background are visible troughout the total blur of the mesh. marked with green circles.
the depth of field or focal blur, almost makes the metal mesh somewhat trancelucent.

how can this phenomena be explained?
because i can understand that some blurring makes the object broader than it is, and therefore
makes the edges transparant. but this transluency is also in the center where the grid is.

too really view the effect, download the photo and zoom in on the green circles
phenomena-depth-of-field-jpg.jpg
 

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  • #2
Hello aliasz,

Good observation !

Basically it means that the aperture of your phone camera is big enough for the rays from each point far away to reach the sensor (*). If you make a drawing you can easily convince yourself.

(*) conversely that the grid wires are thin enough ...
 
  • #3
aliasz said:
I observed a photograph taken with my telephone, and it has depth of field. foreground blurring
of an metal grid mesh. yet some objects in the background are visible troughout the total blur of the mesh. marked with green circles.
the depth of field or focal blur, almost makes the metal mesh somewhat trancelucent.

how can this phenomena be explained?

Unfortunately, this concept (depth of field) is not so simple to quantify because it fundamentally is a quality of the *perceived* image, not a property of the optical system. One particular metric that *is* worth knowing is the 'hyperfocal distance'.

First, some 'official' definitions:

Defocus: in ray optics, when the image plane is not located where the sensor is, the detected image is 'defocused'. In ray optics, this is not considered an aberration because the designer simply either moves the sensor to the image plane or moves the entire lens assembly to place the image plane onto the sensor plane. (Field curvature, on the other hand, is a lens abberation). Strictly speaking, an object is in focus at the image plane and out-of-focus everywhere else.

Depth of focus: the tolerance of sensor placement such that the image is judged to be 'in focus' (who judges this? read on...). Depth of focus generally has meaning when applied to manufacturing tolerances, as opposed to design criteria.

Depth of field: the range of object distances that are judged to simultaneously be imaged 'in focus'. This also is not really a design criterion, because the depth of focus is a conglomeration of many parameters: focal length, numerical aperture, and distance to 'best focus'. The hyperfocal distance 'H' is the focus distance, set at the lens, that results in everything from a distance H/2 to infinity being judged 'in focus'- landscape photographers really need to pay attention to the hyperfocal distance.

A ray optics diagram of depth of focus can be found here:http://www.cambridgeincolour.com/tutorials/depth-of-field.htm

Note the phrase 'circle of confusion'. This is the largest blob on the final displayed/printed image that is visually indistinguishable from an actual point. That is, since points are not imaged as points but rather as smeared blobs ('blur circle' is fine, call it an 'Airy disc', if you must), finite-sized blobs below a certain size threshold will be perceived as identical Airy discs.

What is this size threshold? This question was studied by the major lens and film companies in the 1950s and 1960s (Zeiss, Polaroid, etc) and the consensus decision was that when 35mm film is printed at 8x10 and held at a comfortable distance, a 30 micron diameter disc is the cutoff size for a circle of confusion (CoC). Then, to translate that back to the exposed film, it was a simple consideration about enlargement: how much was the 35mm film image enlarged to produce that 8x10 print? The enlargement factor is one reason why the CoC (and depth of focus) varies for differently-sized sensors.

Practically speaking, there are online calculators that will determine the depth of field (based on the above diagram) for you. Most interchangeable lenses have markings to indicate depth-of-focus range as well.

Now, the second part: why can you 'see through' the blurry bits? It's simply due to image contrast- there is a reduction in image contrast due to the blurred wire, but the high-contrast features located in the distance are still able to produce enough contrast, even after being attenuated.

Defocus is not easier to describe in terms of wave optics, unfortunately. In some simple cases it can be analyzed and one result is the existence of 'contrast reversal' (see Goodman's book on Fourier Optics), but again, it's a subjective measure of image quality.

Bokeh is another attempt to describe depth of focus, it's sort of the derivative of 'defocus'; as it describes how the blur circle changes as defocus changes.
 
  • #4
What BvU said. And notice that the orange object in the middle of the image is large enough to block all the rays from things behind it.
 
  • #5
thanks for your answers,
by the way here is the photo with background blurred/defocused.
so you can see the thickness of the metal grid, and the odd orange beetle?.
?temp_hash=1919a2fcf0f88ccf21b25d3297212fb6.jpg
 

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  • #6
aliasz said:
the odd orange beetle?.
A "Shield Bug" I think. Google Images "Shield Bug" to see many pictures of a wide variety of forms. They are a superfamily of Insects, apparently. Pretty little guys, mostly.
 

Related to Depth of field phenomena -- distant objects visible through close objects

1. What is depth of field?

Depth of field is a photography term that refers to the range of distance in a photograph that appears in focus.

2. How does depth of field affect photography?

Depth of field can greatly impact the overall look and feel of a photograph. A shallow depth of field, where only a small portion of the image is in focus, can create a dreamy or artistic effect. A deep depth of field, where most or all of the image is in focus, is commonly used in landscape photography to capture all elements of a scene.

3. What causes the phenomena of distant objects being visible through close objects in depth of field?

This phenomenon is caused by the way the camera lens focuses light. When the lens is focused on a specific point, objects in front of and behind that point can still appear somewhat in focus. This is known as the depth of field or the zone of acceptable sharpness.

4. How does the aperture setting affect depth of field?

The aperture setting, or the size of the opening in the lens, is a major factor in determining the depth of field in a photograph. A wider aperture, or lower f-number, will result in a shallower depth of field. A narrower aperture, or higher f-number, will result in a deeper depth of field.

5. Can depth of field be adjusted after a photo is taken?

While it is possible to make some adjustments to the depth of field in post-processing, it is generally best to capture the desired depth of field in camera. This can be achieved through careful selection of camera settings and composition techniques.

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