Positions of nodes on a resonating wine glass & symmetry

In summary, the rim of a wine glass oscillates in a standing wave pattern when immersed in a high-frequency sound. By symmetry, every point on the rim is the same and there is no reason for one particular point to be a node while another isn't. This leads to a contradiction and the resolution may lie in the direction of the sound wave. There is a way to maintain symmetry of the sound wave but in practice, there may be tiny asymmetries. The energy in the glass may become equally distributed among all available modes. The zero-node mode would be stationary in terms of energy localization but not in terms of two progressive waves traveling in opposite directions. If the mallet hits every point on the rim at once, it may not exc
  • #1
Happiness
679
30
When immersed in a high-frequency sound, the rim of a wine glass oscillates as shown in the picture below.

Screen Shot 2016-10-04 at 1.31.46 am.png


If the sound has equal intensity in all directions from the center of the rim, then where are the nodes of the stationary waves (in the rim)?

By symmetry, every point on the rim is the same, subject to the same environmental conditions. Then there is no reason why one particular point is the node while another point isn't. By symmetry, I conclude that either all points on the rim are nodes or all points are not. Then, it's impossible to have a stationary wave. How can this contradiction be resolved?
 
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  • #2
Happiness said:
By symmetry, I conclude that either ...
Indeed the glass and its contents are symmetric, but I don't think that the exciting sound field is. Sound fields are normally produced by transducers/loudspeakers and normally have a direction of propagation along an axis. Some points on the rim are on or near the axis and other points are to the left or right of it which excites normal modes other than the symmetric "breathing" mode that has no nodes.
 
  • #3
Happiness said:
When immersed in a high-frequency sound, the rim of a wine glass oscillates as shown in the picture below.

View attachment 106885

If the sound has equal intensity in all directions from the center of the rim, then where are the nodes of the stationary waves (in the rim)?

By symmetry, every point on the rim is the same, subject to the same environmental conditions. Then there is no reason why one particular point is the node while another point isn't. By symmetry, I conclude that either all points on the rim are nodes or all points are not. Then, it's impossible to have a stationary wave. How can this contradiction be resolved?
You set up the standing wave pattern by disturbing the glass in some way, e.g., projecting a sound wave onto the glass from some direction or rubbing along the rim starting from a certain point and going a certain direction. To would introduce an asymmetry into the problem even if the glass itself were perfectly axisymmetric.
 
  • #4
kuruman said:
Indeed the glass and its contents are symmetric, but I don't think that the exciting sound field is. Sound fields are normally produced by transducers/loudspeakers and normally have a direction of propagation along an axis. Some points on the rim are on or near the axis and other points are to the left or right of it which excites normal modes other than the symmetric "breathing" mode that has no nodes.

olivermsun said:
You set up the standing wave pattern by disturbing the glass in some way, e.g., projecting a sound wave onto the glass from some direction or rubbing along the rim starting from a certain point and going a certain direction. To would introduce an asymmetry into the problem even if the glass itself were perfectly axisymmetric.

There is a way to maintain symmetry of the sound wave. Try figuring it out yourself before looking at the answer below.

Place the source (the loudspeaker) at the center of the rim or at any point on the vertical axis passing through it.

The answer above is incomplete, because some sources, such as a tuning fork, are inherently asymmetrical. So even if a tuning fork is placed at the center of the rim, the symmetry is broken due to the vibration of its prongs in some particular direction. Could you think of any symmetrical sound sources before reading the next spoiler?

Hitting a drum right in the center perpendicularly maintains the symmetry.

And so the contradiction is still unresolved.
 
  • #5
Happiness said:
There is a way to maintain symmetry of the sound wave. Try figuring it out yourself before looking at the answer below.
[...]

And so the contradiction is still unresolved.
In theory, yes.

In practice, I think the excitation will likely not be perfectly axisymmetric, and hence you will excite particular "phases" of the mode differently, with different "nodes" belonging to each alignment. These could be thought of as analogous to the superposed string that is vibrating in, e.g., both its second and third modes.

If the excitation is near-enough to perfectly symmetric, then perhaps the zero mode (no nodes at all) would be the only one that is significantly excited. (That would also be a stationary case.)
 
  • #6
I don't know anything about this (at all!) but I had two thoughts when I saw this:
First, complete symmetry is an ideal rather than a real or practical state and any tiny (maybe transient, say due to thermal vibrations) asymmetry could provide the start of an asymmetric mode
Second, even once the glass started vibrating in the fundamental symmetric mode, wouldn't its energy gradually become partitioned equally among all available modes? (This is just a vague notion I had from the molecules in a gas, via random collisions, distributing their energy equally among all available <options> - translation, rotations, vibrations.)
 
  • #7
olivermsun said:
If the excitation is near-enough to perfectly symmetric, then perhaps the zero mode (no nodes at all) would be the only one that is significantly excited. (That would also be a stationary case.)

The zero-node mode is stationary in the sense that energy is localized, but it fails to be stationary in the sense that it is not made up of two progressive waves traveling in opposite directions, I believe.

And by taking the wavelength ##\lambda## as twice the distance between adjacent nodes, we have ##\lambda=\infty##. Then, ##v=f\lambda=\infty##, which is unrealistic.
 
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  • #8
Given the definition of wavelength when there are no nodes at all, why do you find the (necessary) result ##v = \infty## to be unrealistic?
 
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  • #9
The mallet's position breaks the symmetry. If the mallet somehow hit every point at once, then it would not excite this sound mode in the glass, but perhaps some other mode.
 
  • #10
olivermsun said:
Given the definition of wavelength when there are no nodes at all, why do you find the (necessary) result ##v = \infty## to be unrealistic?

Because we will then have a wave that travels faster than the speed of light.
 
  • #11
That isn't a problem. It's only the phase speed that would be moving faster than the speed of light.
 

Related to Positions of nodes on a resonating wine glass & symmetry

1. How do the positions of nodes on a resonating wine glass affect its sound?

The positions of nodes on a resonating wine glass determine the specific frequencies at which the glass will vibrate and produce sound. When the glass is struck, it vibrates at its natural resonant frequency, and the positions of the nodes determine the pitch and timbre of the sound produced.

2. What factors determine the positions of nodes on a resonating wine glass?

The positions of nodes on a resonating wine glass are determined by the size, shape, and material of the glass, as well as the amount of liquid inside the glass. These factors affect the natural resonant frequency of the glass and therefore determine where the nodes will occur.

3. Is there a specific pattern to the positions of nodes on a resonating wine glass?

Yes, there is a specific pattern to the positions of nodes on a resonating wine glass. The nodes occur at equal intervals along the rim of the glass, with the first node being located at the edge of the glass and subsequent nodes occurring at points that are half the wavelength of the previous node.

4. How does symmetry affect the positions of nodes on a resonating wine glass?

Symmetry plays a significant role in the positions of nodes on a resonating wine glass. If the glass is perfectly symmetrical, the nodes will occur at equal intervals around the rim of the glass. However, if the glass is asymmetrical, the positions of the nodes will be altered, resulting in a different sound being produced.

5. Can the positions of nodes on a resonating wine glass be altered?

Yes, the positions of nodes on a resonating wine glass can be altered by changing the factors that affect the glass's natural resonant frequency. For example, adding or removing liquid from the glass can change its resonant frequency and therefore alter the positions of the nodes. Additionally, tapping the glass at different points can also affect where the nodes occur.

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